Major-key chord pattern
I major · ii minor · iii minor · IV major · V major · vi minor · vii° diminished.
Find the diatonic chords in any major or minor key, compare classical, jazz, and pop conventions, then add chords to the builder to hear and share a complete progression.
Add up to eight chords from any chart below, or load a familiar I–V–vi–IV example.
Primary 3-note harmony by scale degree. Use “Add” to send a chord to the builder.
Stacked tertian harmony including the seventh. Click a card to inspect its notes.
Usable color tones by degree for this convention.
Borrowed harmony from the parallel mode, available to mix into the same progression.
Diatonic chords are made by stacking notes from one scale. Their quality follows a repeatable pattern, so the same Roman-numeral relationships work in every key.
I major · ii minor · iii minor · IV major · V major · vi minor · vii° diminished.
Natural minor gives a minor v chord. Classical and jazz practice often raise scale degree 7, creating a major V and diminished vii°.
Modal interchange borrows from the parallel key. In major, iv, ♭VI, and ♭VII add color without permanently changing tonic.
What makes a chord diatonic? Its notes come from the current key’s scale. A chromatic note can turn it into a borrowed chord, applied dominant, or another non-diatonic color.
Should I use triads or seventh chords? Triads give the clearest foundation. Seventh chords add smoother connections and richer color, especially in jazz, R&B, and cinematic harmony.
Why do minor-key results change by convention? Classical and jazz harmony often use harmonic minor for a stronger dominant, while many pop progressions preserve natural minor.